With hints of the blue sketch under it. I really like this style that I don’t think is really mine – cause I don’t know if I have one – but I’m happy I managed to paint something like it.
(Etsy)
With hints of the blue sketch under it. I really like this style that I don’t think is really mine – cause I don’t know if I have one – but I’m happy I managed to paint something like it.
(Etsy)
A documentation of the sky. This is my new diary, a documentation of different skies – although it’s the same sky, I suppose, like Monet’s water lilies. Painted in different seasons and different light.
I want to put them in a little case because they’re becoming too many, carry them with me. Maybe put them in a journal, one on each page.
(We’ll see)
(midnight inspiration)
Black ink and watercolour, I make them really fast so I don’t have time to second guess myself.
Stop looking for the perfect story and choose a real one. (Your heroine doesn’t need freckles or a specific hair colour and your love interest doesn’t need his eyes described in detail. It would be more interesting hearing your story from the point of a view of a baby. It would be more interesting if everyone wasn’t so morally good. It would be more interesting if you didn’t care so much that you ruined it.)
I just want to create stuff and get enough sleep. I want the contrasts, the darkness of the world and the brightest soul humanly possible. I want the world and I want to get out of it, be more than it to be able to look down at what it really is. I want late swedish summer evenings, when the sun doesn’t set and I can sit next to my big window painting in the light from it. I want to travel the world and I do not want to own my own heart. I want to be no one and I want to be the person everyone dreams to become. Freedoms lies in the traces of my decisions, rests in the way my heart could never be locked in a city to long, and belongs in the wilderness of nature and the love that makes me run.
Conversation with myself
“I’m an artist, I am never really here.”
“So where are you then?”
“Constantly outside of it, right next to everything, witnessing it. In a picture of a laughing crowd, where do you think the artist is? A few steps away, taking the picture.”
“So you do actually want to be with them, in the centre of all things, laughing with the crowd.”
“Why would I want that?”
“How could you not want that, when you’re the one who sees everything as so beautiful?”
“I suppose. The curse of the artist. That by the sight of beauty being torn between participating in it and taking a step back to be able to correctly document it.”