(Late, late, a summary of this year’s (oops, last year’s) inktober!!!)
This is the first in a series of paintings that I’ve made on book paper. The book is one that I bought second hand in Germany, and it’s about plants and natural remedies (well, as far as I can understand).
This painting is “ein Herz”, a heart, with small flowers growing out of it and the word “ein” in the middle, for wholeheartedness.
~ Get a page for you or someone else, carry with you a part of the bigger story ~
The latest evolution of my art style is more abstract watercolous. There’s something freeing about the way water flows. And something annoying in how you need to wait for each layer to dry to be able to add any more dimension. But it’s good for soul and spirit, there’s freedom in this.
Acylics on book about entrepreneurial marketing.
With hints of the blue sketch under it. I really like this style that I don’t think is really mine – cause I don’t know if I have one – but I’m happy I managed to paint something like it.
And then: ★
(Soft pencil sketch with textured acrylics surrounding it. In a little circle. Because I love having little circles as backgrounds. I think I have decided it’s my style.)
Also, I like to make gifs on giphy, and I never use any of their unnecessary effects. Except that maybe I’ll start to. They’re kinda fun.
(This is also on Etsy of course)
I’ve always struggled with painting landscape. But here are some things that make it easier:
- Work in layers. I literally took a blue pen and very roughly sketched out the painting. Then I took acrylics and used them with a lot of water to make an underpainting – at this point you don’t have to be careful, just put down colour where it’s supposed to be. And then I added oils, which is where I could actually start blending things, and get the exact shades, details and depth. The first steps are easy, because there’s no pressure when you know you’re gonna paint over it anyway. And the last step is easy, because you have the guide of the paint you’ve already applied.
- Choose a reference photo with a lot of contrast. This might be personal preference, but I can’t deal with painting full meadows with a thousand different colours in them. I might just need to learn the right techniques, but for now it’s easier to paint something with contrast. That means the dark parts are just dark, and there are big blocks of basically just one colour. That makes it a bit easier to grasp for me, and when a picture has clear shapes it’s easier to know where to begin.
- I actually only have two points, but it just looks better with a third.
(Continuing from my last post, I’ve been sharing a lot of my art on etsy lately. Mainly pretty small things, because then they don’t have to be that expensive but it can still be an original piece. I want to write some sort of essay about that – on the merits of original art, simply because I believe there is power and beauty in that kind of shared creativity. I don’t know exactly why or how though, so I want to figure it out for myself to tell it better to others. Anyway, here’s a link.)